Troy, the storyteller, delivers most of the monologues in the play. His stories range from his personal mythologies (such as wrestling with Death and making a deal with the devil (a white man) to take care of his family) to his “origin” story -- when he left home at fourteen to make his way in the world. His stories include details and facts to augment whatever he might hyperbolize (exaggerate). Throughout the stories, though, Wilson reinforces the audience’s understanding of Troy. At the end of the furniture story on pages 14-15, for instance, Troy clarifies for his audience: "I ain't sold my soul or nothing like that, you understand." Troy, who prioritizes his intelligence and work ethic, won't accept material wealth, skill, or fame if it means compromising his soul. The stories reflect not only Troy's character, but underscore the importance and relevance of the oral tradition.

Wilson embeds additional texts within the play. For instance, lyrics from blues songs, including those referenced in the first scene, become elements of visual imagery incorporated in Troy's speeches. The songs along with the experiences and legends communicated in the songs, help establish Troy as an authentic character of his time period. They, along with Troy’s stories, help link him with his African-American culture.